{"title":"Jeannie Petyarre","description":"","products":[{"product_id":"bush-medicine-leaves-by-jeannie-petyarre-7","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre (Pitjara)","description":"\u003cul\u003e\n\u003cli\u003e95cm by 70cm\u003c\/li\u003e\n\u003cli\u003eAcrylic paint on canvas \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr\u003e\u003cbr\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbout the artwork\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr\u003e\u003cbr\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHistory\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCollections\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39259587969059,"sku":"cpp554","price":1495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/20210311_145118.jpg?v=1615448568"},{"product_id":"bush-medicine-leaves-by-jeannie-petyarre-8","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre (Pitjara)","description":"\u003cul\u003e\n\u003cli\u003e200cm by 110cm\u003c\/li\u003e\n\u003cli\u003eAcrylic paint on canvas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39259590524963,"sku":"CPP889","price":4200.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/20210311_145237.jpg?v=1615448813"},{"product_id":"bush-medicine-leaves-by-jeannie-petyarre-11","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e200 cm by 110 cm\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAcrylic paint on canvas \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39452593389603,"sku":"","price":5995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_0111.jpg?v=1631866501"},{"product_id":"bush-medicine-leaves-by-jeannie-petyarre-12","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre (Pitjara)","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e146 cm by 95 cm\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAcrylic paint on canvas \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39519344787491,"sku":"CP727","price":3995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/JeanniePetyarre2021.png?v=1638003579"},{"product_id":"bush-medicine-leaves-by-jeannie-petyarre-1","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e200 cm by 110 cm\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAcrylic paint on canvas \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39612077506595,"sku":"CP790","price":5995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_0696.jpg?v=1648709260"},{"product_id":"copy-of-bush-medicine-leaves-by-jeannie-petyarre","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e89 cm by 90 cm\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAcrylic paint on canvas \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39612080160803,"sku":"CP792","price":1895.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_0698.jpg?v=1648710881"},{"product_id":"bush-yam-by-jeannie-mills-pwerle","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSize 128.5cm by 199cm\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represent the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eCollections\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eAwards \u0026amp; Recognition\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":39646644830243,"sku":"","price":5995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/JeannieMillsJune2022.png?v=1654246496"},{"product_id":"copy-of-bush-medicine-leaves-by-jeannie-petyarre-1","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e198 cm by 110 cm\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAcrylic paint on canvas \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39653494358051,"sku":"","price":12995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/JeannieJune22_2.png?v=1655529415"},{"product_id":"bush-yam-dreaming-by-jeannie-mills","title":"\"Bush Yam Dreaming\" by Jeannie Mills","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 150cm by 100cm\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eCollections\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eAwards \u0026amp; Recognition\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":39670962061347,"sku":"","price":2695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_1400.jpg?v=1657943538"},{"product_id":"bush-yam-roots-by-jeannie-petyarre","title":"\"Bush Yam Roots\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003e128 cm by 94 cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003eAcrylic paint on canvas \u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Yam story is well represented further south on the Utopia Homelands of Central Australia, where the artists show the ceremonial links of the Anmatyerre people to the Yam as a source of sustenance in the desert. Artists like Emily Kngwarreye, Galya Pwerle, Gloria Petyarre, Jeannie Mills Pwerle and Rosemary Petyarre have established their own styles of paintings of the Yam and the women’s ceremonies associated with Yam Dreaming. Their depictions of the Yam Seed and Yam Flower are aspects of interest in the fertility of the Yam plant, and the paintings serve as ceremonies do also, to celebrate and promote the abundance of the Yam.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39797793882147,"sku":"","price":2895.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_2142.jpg?v=1664355755"},{"product_id":"bush-yam-seeds-by-jeannie-petyarre","title":"\"Bush Yam Seeds\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e200cm by 107 cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\" data-mce-style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas \u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Yam story is well represented further south on the Utopia Homelands of Central Australia, where the artists show the ceremonial links of the Anmatyerre people to the Yam as a source of sustenance in the desert. Artists like Jeannie Petyarre, Emily Kngwarreye, Galya Pwerle, Gloria Petyarre, Jeannie Mills Pwerle and Rosemary Petyarre have established their own styles of paintings of the Yam and the women’s ceremonies associated with Yam Dreaming. Their depictions of the Yam Seed and Yam Flower are aspects of interest in the fertility of the Yam plant, and the paintings serve as ceremonies do also, to celebrate and promote the abundance of the Yam.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39815019855907,"sku":"","price":4995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_2290.jpg?v=1664867050"},{"product_id":"bush-yam-seeds-by-jeannie-petyarre-1","title":"\"Bush Yam Seeds\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e130 cm by 94 cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas \u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Yam story is well represented further south on the Utopia Homelands of Central Australia, where the artists show the ceremonial links of the Anmatyerre people to the Yam as a source of sustenance in the desert. Artists like Emily Kngwarreye, Galya Pwerle, Gloria Petyarre, Jeannie Mills Pwerle and Rosemary Petyarre have established their own styles of paintings of the Yam and the women’s ceremonies associated with Yam Dreaming. Their depictions of the Yam Seed and Yam Flower are aspects of interest in the fertility of the Yam plant, and the paintings serve as ceremonies do also, to celebrate and promote the abundance of the Yam.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39818111254563,"sku":"","price":2895.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_2326.jpg?v=1665047162"},{"product_id":"bush-medicine-leaves-by-jeannie-petyarre-3","title":"\"Bush Medicine Leaves\" by Jeannie Petyarre","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003e90 cm by 70 cm\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003eAcrylic paint on canvas \u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff8000;\"\u003eAbout Jeannie\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie Petyarre (Pitjara) was born in c.1956 on the Boundary Bore Outstation of Utopia in Central Australia. An established artist in Utopia, Jeannie is the niece of the late Emily Kame Kngwarreye. In the early 1980s, when Jeannie was living at Boundary Bore Outstation with her family, husband Henry Long Kemarre, and their six children, Jeannie was introduced to the art of Batik. Jeannie was encouraged by her aunt, Emily Kngwarreye to continue to paint her family's Yam Dreaming. In 1990, her work was chosen to be part of the Robert Holmes à Court Collection, which toured extensively and was featured in their book \"Utopia - A Picture Story\". All of Jeannie's Dreamtime stories come from the Alhalkere Country and are passed down to her from her father's side.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie paints the Yam Seed, Yam Leaf, Yam Flower Dreamings, body paint, Mountain Devil Lizard, and My Country Dreamings. Jeannie's tribal name is \"Angiltha\" which means little lizard.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn this painting, Jeannie paints bush medicine leaves with precise, fine strokes. The Bush Medicine Plant is an Australian native that grows wild in Central Australia. Women go to different places around Utopia to collect leaves from these plants. Back at the camp, the leaves are boiled to extract the resin. Kangaroo fat is mixed into the resin, creating a paste that can be stored for a long time in bush conditions. This medicine is used to heal cuts, wounds, bites, rashes and also acts as an insect repellent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBy painting \"Bush Medicine Leaves\", Jeannie is paying homage to the spirit of the medicine plant in the hope that it will regenerate, enabling the people to continue to benefit from its healing properties.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHistory\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie has participated in various group exhibitions around Australia and several exhibitions toured the USA, United Arab Emirates, France, Italy, Turkey, and China. Some of her paintings are held in well-known and highly regarded collections such as the Holmes à Court Collection and the National Gallery of Australia.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCollections\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNational Gallery of Australia, Canberra\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2021 Top 20 2021, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Top 20 Exhibition, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Summer Show \u0026amp; Art Parade, Salt, Queenscliff, VIC\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 defining tradition | black + white, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 International Women's Day, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2011 Thinking outside the square, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Jeannie Petyarre: Medicine Leaves, Aboriginal Dreaming Fine Art Gallery, Los Angeles\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Three Petyarres\", Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Paris\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Bahrain Art Society, The Kingdom of Bahrain\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Annual Clear Lake Exhibition of Aboriginal Paintings, Houston\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Abu Dhabi, United Arab Emirates\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Cicada Trading, Dubai\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Milan\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2005 Cicada Trading, Illayda, Istanbul\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 A Picture Story Exhibition of 88 works on silk from the Holmes a Court Collection by Utopian artists which toured Eire and Scotland\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings the first works on canvas\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Petyarre","offers":[{"title":"Default Title","offer_id":39852521553955,"sku":"","price":1596.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_2390_094c707c-65f3-4754-aab3-35172800d1c8.jpg?v=1667192498"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-1","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 110cm by 97cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":39863077437475,"sku":"","price":1795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_2415.jpg?v=1667976884"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-2","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 107cm by 95cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":39863078322211,"sku":"","price":1795.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/IMG_2418.jpg?v=1667977149"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-3","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cdiv class=\"product-description rte\" itemprop=\"description\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 114cm by 76cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represent the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":39946358128675,"sku":"","price":1395.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/jeaninemills.jpg?v=1677905159"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-4","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 117cm by 114cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represent the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":39946361077795,"sku":"","price":1795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/products\/jeaninemills_2.jpg?v=1677905460"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-6","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 130cm by 95cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represent the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40038337478691,"sku":"","price":2295.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_3133_165a5fa8-f882-4ec7-8e7c-f4b56783f8c3.jpg?v=1683617036"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-7","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 95 x 88 cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represent the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40038343901219,"sku":"","price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_3135.jpg?v=1683618800"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-8","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 198 x 133 cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represent the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home, because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | the colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40072861286435,"sku":"","price":4995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_3301.jpg?v=1687672453"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-2","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 145 by 90cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ch3\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flower and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40175640248355,"sku":"","price":2495.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_3690_e8e62d3b-4c4e-4690-bcdf-bd14bca10ec9.jpg?v=1700637826"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-3","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 95 by 74cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300kms northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists are able to pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours, embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke - no two being the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough the Anaty is shared by several other Utopian artists, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them, make fascinating pieces in the home because their colours subtly change, deepen or brighten with every nuance of the ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor) providing advice, bush medicines and applications to people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40175642640419,"sku":"","price":1695.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_3685_77a466c0-2964-4960-810e-976ac0bc2ce5.jpg?v=1700638268"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-9","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 107cm by 94cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFree World-Wide Shipping\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCommission Work Available\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\" data-mce-style=\"color: rgb(0, 0, 0);\"\u003eJeannie Mills Pwerle co\u003c\/span\u003emes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40449801191459,"sku":"","price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4226.jpg?v=1716361268"},{"product_id":"bush-yam-dreaming-by-jeannie-mills-pwerle-10","title":"\"Bush Yam Dreaming\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSize 95cm by 73cm\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAcrylic paint on canvas\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFree World-Wide Shipping\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\" data-mce-style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCommission Work Available\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\" data-mce-style=\"color: rgb(0, 0, 0);\"\u003eJeannie Mills Pwerle co\u003c\/span\u003emes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by a generation of Indigenous artists who were part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother, however as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!----\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40449801224227,"sku":null,"price":1795.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4221_297d6f31-d3c8-41f4-8dda-f19d8c50be6e.jpg?v=1716361824"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-4","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 80 BY 76 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is normally found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a tuber (or swollen root) of the shrub and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40496559620131,"sku":null,"price":1595.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4331.jpg?v=1719391167"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-5","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 114 BY 95 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"biotopcnt\"\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being at Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\" class=\"bioUL\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40547212951587,"sku":null,"price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4392.jpg?v=1723533845"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-6","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 115 BY 95 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"biotopcnt\"\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\" class=\"bioUL\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40547218096163,"sku":null,"price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4389_90e3ad2a-d749-493d-b08f-d8928f5d977f.jpg?v=1723534141"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-7","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 165 BY 103 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"biotopcnt\"\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\" class=\"bioUL\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40547223896099,"sku":null,"price":2995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4388.jpg?v=1723534279"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-8","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 155 BY 95 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40563226116131,"sku":null,"price":2995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4427.jpg?v=1725425860"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-9","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 155 BY 95 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"biotopcnt\"\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own..\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\" class=\"bioUL\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40563227197475,"sku":null,"price":2995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4426.jpg?v=1725426156"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-10","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 170 BY 115 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"biotopcnt\"\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\" class=\"bioUL\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40620702072867,"sku":null,"price":2995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4532.jpg?v=1730364449"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-11","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 96 BY 89 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40620708855843,"sku":null,"price":1995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4522_c03254c2-c1d7-497a-84d7-edd80679ecea.jpg?v=1730364993"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-12","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 91 BY 86 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40620710527011,"sku":null,"price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4520.jpg?v=1730365165"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-13","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 94 BY 89 CM\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"color: rgb(255, 128, 0);\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"biotopcnt\"\u003e\n\u003ch3 data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eJeannie Mills Pwerle comes from the community of Utopia, 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominately represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a viny shrub growing above ground, up to 1 metre high. It is usually found in the Acacia scrublands on the spinifex sand plains, and it produces large pink flowers after the summer rain. The Anaty is a shrub tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anaty, which artists continue to be taught as they get older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and encourage their continual rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and culture.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul data-mce-fragment=\"1\" class=\"bioUL\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"copyJ\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff8000;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40620711837731,"sku":null,"price":1995.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_4518.jpg?v=1730365358"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-14","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eArtist: Jeannie Mills Pwerle\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0);\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eRegion: Utopia, NT\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0); text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSIZE 115 BY 100 CM\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0); text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eACRYLIC PAINT ON CANVAS\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0); text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFREE WORLDWIDE SHIPPING\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003cli style=\"color: rgb(255, 128, 0); text-align: left;\" data-mce-fragment=\"1\"\u003e\n\u003ch2\u003e\n\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eCOMMISSION WORK AVAILABLE\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"biotopcnt\" data-mce-fragment=\"1\"\u003e\n\u003ch3 class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout Jeannie\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eJeannie Mills Pwerle comes from the Utopia community, located 300 km northeast of Alice Springs, with her traditional country being Irrwelty and Atnwengerrp. Her mother is Dolly Mills Petyarre, and her uncle is Greeny Purvis Petyarre (both of whom are well-known artists). Her great-aunt is the late Emily Kame Kngwarreye, dubbed by art experts as one of the world's best modern and abstract artists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaised by an Indigenous artist generation that was part of the batik-producing generation of the 1970s, Jeannie was exposed to the success that these artists experienced as they began to experiment with acrylic on canvas. Jeannie inherited the Anaty (Desert Yam or Bush Potato) Dreaming from her mother; however, as an artist, she has depicted this dreaming in a unique style that is all her own.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePaintings by Jeannie predominantly represent the flowers and seeds of the Anaty, which she enjoys collecting in her homeland. The yam grows underground with a vine growing above ground, up to 1 metre high. It is typically found in the Acacia scrublands on the spinifex sand plains, and it produces large, pink flowers after the summer rains. The Anaty is a shrubby tuber (or swollen root) and tastes like the common sweet potato. It can be eaten raw or cooked.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artwork \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003eThe linear work in Jeannie's artworks represents the impressive root system of the yam, and dots represent its seeds. There is an ancient Dreamtime story belonging to the Anangu, which artists continue to learn as they grow older. By depicting the Anaty in their paintings, Indigenous artists can pay homage to this significant plant and promote its ongoing rejuvenation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUsing a variety of colours in each brushstroke, Jeannie builds up a pattern of harmonious (and occasionally contrasting) colours embedded in (or defined by) a multitude of fine white dots, executed with intricate detail. Her paintings capture the viewer's attention as their eyes meander across the canvas, enjoying the harmonies and subtle variations in each brushstroke—no two are the same.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough several other Utopian artists share the Anaty, Jeannie's works are unique to her and immediately recognisable. Her works and the variegated colour tones within them make fascinating pieces in the home because their colours subtly change, deepen, or brighten with every nuance of ambient light. They make excellent choices for interior design enthusiasts.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeannie lives a traditional life at Utopia as a ngangker\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(traditional healer or doctor), providing advice, bush medicines, and applications to the people of her community. She lives in Ahalpere Country with senior elder Lena Pwerle, and the two are heavily involved in educating and encouraging other women to participate in painting, exhibitions, and cultural activities.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eCOLLECTIONS\u003c\/span\u003e\u003c\/h4\u003e\n\u003cul class=\"bioUL\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHolmes à Court Collection, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eMbantua Gallery Private Collection, Alice Springs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003eAWARDS \u0026amp; RECOGNITION\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e2008 25th NATSIAA, Darwin - Finalist\u003c\/p\u003e\n\u003cp class=\"copyJ\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff8000;\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSelected Group Exhibitions\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Sounds of Summer, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 60 by 60 - Small Paintings, Japingka Gallery, Perth\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Colours of Spring, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2020 Central Focus, Art Mob, Hobart\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Defining Tradition | The colourists, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2019 Landscape Colours, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2016 Spring Colour, Kate Owen Gallery, Sydney\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2014 Small Works Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2012 Little Gems, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2010 Summer Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2009 Desert Miniatures, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2008 Utopia Collection, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2006 Colours of Utopia, Japingka Gallery, Fremantle\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2004 Last of the 20th Century, Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Art and Soul Gallery, Nashville, Tennessee, USA\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 The Cove Gallery, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Urban Wine Works, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e2002 Mary's Woods, Portland, Oregon USA (Benefit - OHSU Heart Research Centre)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1995 Mbantua Gallery, Alice Springs\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1990 Utopia - A Picture Story, an exhibition of 88 works on silk from the Holmes\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eà Court Collection\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e1989 Utopia Women's Paintings, the First Works on Canvas, A Summer Project\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":40879951282211,"sku":null,"price":1995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_5332.jpg?v=1752132603"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-15","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003ch2 data-section-id=\"apub1l\" data-start=\"154\" data-end=\"183\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"157\" data-end=\"181\"\u003eJeannie Mills Pwerle\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"184\" data-end=\"224\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"184\" data-end=\"224\"\u003eUtopia Homelands, Northern Territory\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"226\" data-end=\"392\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"226\" data-end=\"245\"\u003eArtwork Details\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-start=\"245\" data-end=\"248\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eSize: 108 x 80 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"269\" data-end=\"272\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"301\" data-end=\"304\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eShipping: Complimentary Worldwide Delivery\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"350\" data-end=\"353\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCommissions: Available on Request\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"16atzp5\" data-start=\"474\" data-end=\"540\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"478\" data-end=\"540\"\u003eA Rare Opportunity to Acquire a Museum-Quality Utopia Work\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"542\" data-end=\"748\"\u003eFrom the renowned Utopia region of Central Australia, this exceptional original by Jeannie Mills Pwerle represents one of the most sought-after Dreamings in Aboriginal art—the Anaty (Bush Yam) Dreaming.\u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"1093\"\u003eComing from one of the most celebrated artistic lineages in Australia, Jeannie is the daughter of Dolly Mills Petyarre and the great-niece of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEmily Kame Kngwarreye\u003c\/span\u003e\u003c\/span\u003e, widely regarded as one of the greatest modern artists of our time. Works of this calibre, scale, and provenance are becoming increasingly difficult to source.\u003c\/p\u003e\n\u003ch3 data-section-id=\"dciinj\" data-start=\"1708\" data-end=\"1744\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"1712\" data-end=\"1744\"\u003eThe Story Behind the Artwork\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1746\" data-end=\"1963\"\u003eThis work captures the intricate underground root systems of the yam through flowing linear forms, while delicate dotting represents the seeds scattered across Country—ensuring renewal and life for future generations.\u003c\/p\u003e\n\u003cp data-start=\"1965\" data-end=\"2179\"\u003eEach brushstroke is layered with remarkable precision, creating a rhythmic, almost meditative surface that draws the viewer in. The result is a painting that feels alive—changing with light, space, and perspective.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1utti2w\" data-start=\"2510\" data-end=\"2549\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"2514\" data-end=\"2549\"\u003eFlexible Options for Collectors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2551\" data-end=\"2821\"\u003eComplimentary Worldwide Shipping – Fully insured, professionally packaged\u003cbr data-start=\"2630\" data-end=\"2633\"\u003eCustom Framing Available – Floating frame options in black, white, or timber\u003cbr data-start=\"2715\" data-end=\"2718\"\u003eCommission Opportunities – Secure a bespoke piece tailored to your space (limited availability)\u003c\/p\u003e\n\u003ch3 data-section-id=\"1pgqhep\" data-start=\"3346\" data-end=\"3382\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3350\" data-end=\"3382\"\u003eEnquire or Secure This Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3384\" data-end=\"3482\"\u003eOpportunities to acquire works of this scale, provenance, and visual impact are increasingly rare.\u003c\/p\u003e\n\u003cp data-start=\"3484\" data-end=\"3590\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3484\" data-end=\"3590\"\u003eContact us today to request a viewing, additional images, or to secure this artwork before it is sold.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":42377326592035,"sku":null,"price":1795.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_6303.jpg?v=1777012038"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-16","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003ch2 data-section-id=\"apub1l\" data-start=\"154\" data-end=\"183\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"157\" data-end=\"181\"\u003eJeannie Mills Pwerle\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"184\" data-end=\"224\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"184\" data-end=\"224\"\u003eUtopia Homelands, Northern Territory\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"226\" data-end=\"392\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"226\" data-end=\"245\"\u003eArtwork Details\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-start=\"245\" data-end=\"248\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eSize: 90 x 48 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"269\" data-end=\"272\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"301\" data-end=\"304\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eShipping: Complimentary Worldwide Delivery\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"350\" data-end=\"353\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCommissions: Available on Request\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"16atzp5\" data-start=\"474\" data-end=\"540\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"478\" data-end=\"540\"\u003eA Rare Opportunity to Acquire a Museum-Quality Utopia Work\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"542\" data-end=\"748\"\u003eFrom the renowned Utopia region of Central Australia, this exceptional original by Jeannie Mills Pwerle represents one of the most sought-after Dreamings in Aboriginal art—the Anaty (Bush Yam) Dreaming.\u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"1093\"\u003eComing from one of the most celebrated artistic lineages in Australia, Jeannie is the daughter of Dolly Mills Petyarre and the great-niece of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEmily Kame Kngwarreye\u003c\/span\u003e\u003c\/span\u003e, widely regarded as one of the greatest modern artists of our time. Works of this calibre, scale, and provenance are becoming increasingly difficult to source.\u003c\/p\u003e\n\u003ch3 data-section-id=\"dciinj\" data-start=\"1708\" data-end=\"1744\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"1712\" data-end=\"1744\"\u003eThe Story Behind the Artwork\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1746\" data-end=\"1963\"\u003eThis work captures the intricate underground root systems of the yam through flowing linear forms, while delicate dotting represents the seeds scattered across Country—ensuring renewal and life for future generations.\u003c\/p\u003e\n\u003cp data-start=\"1965\" data-end=\"2179\"\u003eEach brushstroke is layered with remarkable precision, creating a rhythmic, almost meditative surface that draws the viewer in. The result is a painting that feels alive—changing with light, space, and perspective.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1utti2w\" data-start=\"2510\" data-end=\"2549\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"2514\" data-end=\"2549\"\u003eFlexible Options for Collectors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2551\" data-end=\"2821\"\u003eComplimentary Worldwide Shipping – Fully insured, professionally packaged\u003cbr data-start=\"2630\" data-end=\"2633\"\u003eCustom Framing Available – Floating frame options in black, white, or timber\u003cbr data-start=\"2715\" data-end=\"2718\"\u003eCommission Opportunities – Secure a bespoke piece tailored to your space (limited availability)\u003c\/p\u003e\n\u003ch3 data-section-id=\"1pgqhep\" data-start=\"3346\" data-end=\"3382\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3350\" data-end=\"3382\"\u003eEnquire or Secure This Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3384\" data-end=\"3482\"\u003eOpportunities to acquire works of this scale, provenance, and visual impact are increasingly rare.\u003c\/p\u003e\n\u003cp data-start=\"3484\" data-end=\"3590\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3484\" data-end=\"3590\"\u003eContact us today to request a viewing, additional images, or to secure this artwork before it is sold.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":42377394192419,"sku":null,"price":1395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_6306.jpg?v=1777012435"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-17","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003ch2 data-section-id=\"apub1l\" data-start=\"154\" data-end=\"183\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"157\" data-end=\"181\"\u003eJeannie Mills Pwerle\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"184\" data-end=\"224\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"184\" data-end=\"224\"\u003eUtopia Homelands, Northern Territory\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"226\" data-end=\"392\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"226\" data-end=\"245\"\u003eArtwork Details\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-start=\"245\" data-end=\"248\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eSize: 140 x 90 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"269\" data-end=\"272\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"301\" data-end=\"304\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eShipping: Complimentary Worldwide Delivery\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"350\" data-end=\"353\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCommissions: Available on Request\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"16atzp5\" data-start=\"474\" data-end=\"540\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"478\" data-end=\"540\"\u003eA Rare Opportunity to Acquire a Museum-Quality Utopia Work\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"542\" data-end=\"748\"\u003eFrom the renowned Utopia region of Central Australia, this exceptional original by Jeannie Mills Pwerle represents one of the most sought-after Dreamings in Aboriginal art—the Anaty (Bush Yam) Dreaming.\u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"1093\"\u003eComing from one of the most celebrated artistic lineages in Australia, Jeannie is the daughter of Dolly Mills Petyarre and the great-niece of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEmily Kame Kngwarreye\u003c\/span\u003e\u003c\/span\u003e, widely regarded as one of the greatest modern artists of our time. Works of this calibre, scale, and provenance are becoming increasingly difficult to source.\u003c\/p\u003e\n\u003ch3 data-section-id=\"dciinj\" data-start=\"1708\" data-end=\"1744\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"1712\" data-end=\"1744\"\u003eThe Story Behind the Artwork\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1746\" data-end=\"1963\"\u003eThis work captures the intricate underground root systems of the yam through flowing linear forms, while delicate dotting represents the seeds scattered across Country—ensuring renewal and life for future generations.\u003c\/p\u003e\n\u003cp data-start=\"1965\" data-end=\"2179\"\u003eEach brushstroke is layered with remarkable precision, creating a rhythmic, almost meditative surface that draws the viewer in. The result is a painting that feels alive—changing with light, space, and perspective.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1utti2w\" data-start=\"2510\" data-end=\"2549\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"2514\" data-end=\"2549\"\u003eFlexible Options for Collectors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2551\" data-end=\"2821\"\u003eComplimentary Worldwide Shipping – Fully insured, professionally packaged\u003cbr data-start=\"2630\" data-end=\"2633\"\u003eCustom Framing Available – Floating frame options in black, white, or timber\u003cbr data-start=\"2715\" data-end=\"2718\"\u003eCommission Opportunities – Secure a bespoke piece tailored to your space (limited availability)\u003c\/p\u003e\n\u003ch3 data-section-id=\"1pgqhep\" data-start=\"3346\" data-end=\"3382\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3350\" data-end=\"3382\"\u003eEnquire or Secure This Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3384\" data-end=\"3482\"\u003eOpportunities to acquire works of this scale, provenance, and visual impact are increasingly rare.\u003c\/p\u003e\n\u003cp data-start=\"3484\" data-end=\"3590\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3484\" data-end=\"3590\"\u003eContact us today to request a viewing, additional images, or to secure this artwork before it is sold.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":42380742983715,"sku":null,"price":2395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_6328.jpg?v=1777351689"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-18","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003ch2 data-section-id=\"apub1l\" data-start=\"154\" data-end=\"183\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"157\" data-end=\"181\"\u003eJeannie Mills Pwerle\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"184\" data-end=\"224\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"184\" data-end=\"224\"\u003eUtopia Homelands, Northern Territory\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"226\" data-end=\"392\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"226\" data-end=\"245\"\u003eArtwork Details\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-start=\"245\" data-end=\"248\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eSize: 80 x 80 cm\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"269\" data-end=\"272\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eMedium: Acrylic on Canvas\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"301\" data-end=\"304\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eShipping: Complimentary Worldwide Delivery\u003c\/span\u003e\u003c\/strong\u003e\u003cbr data-start=\"350\" data-end=\"353\"\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCommissions: Available on Request\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-section-id=\"16atzp5\" data-start=\"474\" data-end=\"540\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"478\" data-end=\"540\"\u003eA Rare Opportunity to Acquire a Museum-Quality Utopia Work\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"542\" data-end=\"748\"\u003eFrom the renowned Utopia region of Central Australia, this exceptional original by Jeannie Mills Pwerle represents one of the most sought-after Dreamings in Aboriginal art—the Anaty (Bush Yam) Dreaming.\u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"1093\"\u003eComing from one of the most celebrated artistic lineages in Australia, Jeannie is the daughter of Dolly Mills Petyarre and the great-niece of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eEmily Kame Kngwarreye\u003c\/span\u003e\u003c\/span\u003e, widely regarded as one of the greatest modern artists of our time. Works of this calibre, scale, and provenance are becoming increasingly difficult to source.\u003c\/p\u003e\n\u003ch3 data-section-id=\"dciinj\" data-start=\"1708\" data-end=\"1744\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"1712\" data-end=\"1744\"\u003eThe Story Behind the Artwork\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1746\" data-end=\"1963\"\u003eThis work captures the intricate underground root systems of the yam through flowing linear forms, while delicate dotting represents the seeds scattered across Country—ensuring renewal and life for future generations.\u003c\/p\u003e\n\u003cp data-start=\"1965\" data-end=\"2179\"\u003eEach brushstroke is layered with remarkable precision, creating a rhythmic, almost meditative surface that draws the viewer in. The result is a painting that feels alive—changing with light, space, and perspective.\u003c\/p\u003e\n\u003ch3 data-section-id=\"1utti2w\" data-start=\"2510\" data-end=\"2549\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"2514\" data-end=\"2549\"\u003eFlexible Options for Collectors\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2551\" data-end=\"2821\"\u003eComplimentary Worldwide Shipping – Fully insured, professionally packaged\u003cbr data-start=\"2630\" data-end=\"2633\"\u003eCustom Framing Available – Floating frame options in black, white, or timber\u003cbr data-start=\"2715\" data-end=\"2718\"\u003eCommission Opportunities – Secure a bespoke piece tailored to your space (limited availability)\u003c\/p\u003e\n\u003ch3 data-section-id=\"1pgqhep\" data-start=\"3346\" data-end=\"3382\"\u003e\u003cspan role=\"text\" style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3350\" data-end=\"3382\"\u003eEnquire or Secure This Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3384\" data-end=\"3482\"\u003eOpportunities to acquire works of this scale, provenance, and visual impact are increasingly rare.\u003c\/p\u003e\n\u003cp data-start=\"3484\" data-end=\"3590\"\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong data-start=\"3484\" data-end=\"3590\"\u003eContact us today to request a viewing, additional images, or to secure this artwork before it is sold.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":42380743049251,"sku":null,"price":1695.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/IMG_6329_c69fa443-8165-4062-8404-f713d320a0fb.jpg?v=1777352073"},{"product_id":"bush-yam-by-jeannie-mills-pwerle-19","title":"\"Bush Yam\" by Jeannie Mills Pwerle","description":"\u003ch3\u003e\n\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eArtist: Jeannie Mills Pwerle\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eRegion: Utopia Homelands, Northern Territory\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eSize: 198 x 86 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eMedium: Acrylic on canvas\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eShipping: Complimentary worldwide\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCommissions: Available on request\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eAnaty (Bush Yam) Dreaming – Museum-Quality Utopia Work\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis outstanding original by Jeannie Mills Pwerle features the highly sought-after Anaty (Bush Yam) Dreaming, one of the most collectible themes in Utopia art.\u003c\/p\u003e\n\u003cp\u003eJeannie comes from an exceptional artistic lineage: she is the daughter of Dolly Mills Petyarre and great-niece of Emily Kame Kngwarreye, one of Australia’s most important contemporary artists. Works of this calibre and provenance are increasingly rare on the market.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eAbout the Artwork\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eFlowing linear forms represent the underground root systems of the yam, while fine dotting depicts seeds scattered across Country, symbolising regeneration and continuity of life.\u003c\/p\u003e\n\u003cp\u003eJeannie’s meticulous layering and rhythmic brushwork create a dynamic, almost meditative surface that shifts with the light, making this a truly captivating statement piece for contemporary interiors and serious collections.\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003eCollector Services\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eComplimentary, fully insured worldwide shipping\u003c\/li\u003e\n\u003cli\u003eCustom framing options available (black, white, or natural timber floating frames)\u003c\/li\u003e\n\u003cli\u003eCommissioned works by Jeannie are available in selected sizes (limited spaces)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eEnquire Now\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRequest additional images, a video viewing, or secure this artwork today before it is acquired by another collector.\u003c\/p\u003e","brand":"Jeannie Mills","offers":[{"title":"Default Title","offer_id":42440162082851,"sku":null,"price":4995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/files\/JeannieMill_26.jpg?v=1779350456"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0082\/8669\/9584\/collections\/JEANNIE.jpg?v=1678508438","url":"https:\/\/creativenative.com.au\/collections\/jeannie-petyarre\/affordable-art.oembed","provider":"Creative Native Perth","version":"1.0","type":"link"}