Christine Winmar
Bunuba • Walmajarri • Djaru • Gooniyandi Artist – Fitzroy Crossing, WA
Jack Jnr Macale Loodgebuddunge is a highly regarded contemporary Kimberley artist whose work is deeply connected to his multi-tribal heritage and the powerful cultural stories passed down through his family. Born in 1978 in Subiaco, Perth, Jack was raised in Fitzroy Crossing’s Junjuwa community and later moved with family to help establish Biridu community on his grandfather’s ancestral Country when the land was returned in the early 1990s.
Jack comes from a remarkable artistic lineage. His Walmajarri grandmother, Munmurria Daisy Andrews, is one of the most celebrated painters of the Kimberley, renowned for her vibrant and emotive depictions of Country. His paternal grandmother, Tiny Macale, is also a widely acclaimed artist from the Northern Territory. Surrounded by influential artists and strong cultural matriarchs, Jack developed a deep appreciation for art from an early age.
A central inspiration in Jack’s work is the Bunuba warrior Jandamarra, a towering figure of resistance whose stories Jack learnt through campfire teachings from his elders. These narratives of strength, survival, and cultural pride bring a compelling emotional depth to his artworks and strongly resonate with collectors.
Today, Jack lives and paints in Fitzroy Crossing, where his practice continues to evolve. He describes art as his “lifetime never-ending medicine,” reflecting his belief in painting as both cultural responsibility and personal healing. His works are sought after for their authenticity, strong storytelling, and connection to Country.
Collectors value Jack’s art for its:
Rich cultural significance and powerful lineage
Direct connection to some of the Kimberley’s most respected artists
Evocative storytelling influenced by real Bunuba history
Unique blend of heritage, identity, and contemporary expression
Jack’s paintings offer not only a striking visual presence but also a meaningful opportunity to support an artist who carries forward generations of cultural knowledge. His work holds strong appeal for both new collectors and those seeking significant pieces with depth, provenance, and powerful cultural integrity.
Djinbinmarra, widely known as Wandjina, is one of the most powerful Creation Spirits of the Kimberley. Revered by the Ngarinyin, Worrorra, and Wunambal peoples, the Wandjina is believed to have shaped the landscape, brought ancestral laws into being, and continues to control the vital wet-season rains.
As the Rainmaker Spirit, Wandjina governs storms, lightning, and seasonal renewal—ensuring the land, waterholes, and natural resources remain abundant. Traditionally, elders performed ceremonial dances to honour the Wandjina and encourage rain during times of drought.
In Aboriginal art, Wandjina figures are highly distinctive: front-facing with large black eyes, a small slit-like nose, and a radiant halo symbolising clouds and lightning. The dotted patterns often covering their bodies represent falling rain, mist, and the life-giving energy that sustains Country.
Collectors value Wandjina artworks for their strong cultural significance, striking symbolism, and deep connection to one of the Kimberley’s most revered ancestral beings.
