Christine Winmar
Bunuba • Walmajarri • Djaru • Gooniyandi Artist – Fitzroy Crossing, WA
Jack Jnr Macale Loodgebuddunge is a highly regarded contemporary Kimberley artist whose work is deeply connected to his multi-tribal heritage and the powerful cultural stories passed down through his family. Born in 1978 in Subiaco, Perth, Jack was raised in Fitzroy Crossing’s Junjuwa community and later moved with family to help establish Biridu community on his grandfather’s ancestral Country when the land was returned in the early 1990s.
Jack comes from a remarkable artistic lineage. His Walmajarri grandmother, Munmurria Daisy Andrews, is one of the most celebrated painters of the Kimberley, renowned for her vibrant and emotive depictions of Country. His paternal grandmother, Tiny Macale, is also a widely acclaimed artist from the Northern Territory. Surrounded by influential artists and strong cultural matriarchs, Jack developed a deep appreciation for art from an early age.
A central inspiration in Jack’s work is the Bunuba warrior Jandamarra, a towering figure of resistance whose stories Jack learnt through campfire teachings from his elders. These narratives of strength, survival, and cultural pride bring a compelling emotional depth to his artworks and strongly resonate with collectors.
Today, Jack lives and paints in Fitzroy Crossing, where his practice continues to evolve. He describes art as his “lifetime never-ending medicine,” reflecting his belief in painting as both cultural responsibility and personal healing. His works are sought after for their authenticity, strong storytelling, and connection to Country.
Collectors value Jack’s art for its:
Rich cultural significance and powerful lineage
Direct connection to some of the Kimberley’s most respected artists
Evocative storytelling influenced by real Bunuba history
Unique blend of heritage, identity, and contemporary expression
Jack’s paintings offer not only a striking visual presence but also a meaningful opportunity to support an artist who carries forward generations of cultural knowledge. His work holds strong appeal for both new collectors and those seeking significant pieces with depth, provenance, and powerful cultural integrity.
Two Dog Dreaming is a powerful story carried by artist Jack Jnr Macale, drawn from the cultural teachings passed down through his Bunuba and desert heritage. In Kimberley and desert Country, dogs hold deep significance as protectors, guides, and loyal companions to the old people as they travelled across the land.
In this Dreaming, two ancestral dogs journey together, moving through Country, hunting, tracking, and watching over their people. Their paths carve through the landscape, shaping waterholes, campsites, and travel routes still recognised today. The two dogs symbolise:
Loyalty and guardianship
Connection between family, Country, and spirit
Alertness, protection, and guidance during travel
Partnership and unity, as the dogs move as one through the Dreaming landscape
Jack’s interpretation of this story reflects the teachings he grew up with in Fitzroy Crossing, where dogs were not just animals but protectors of the camp, messengers of danger, and part of everyday life. Through his art, he honours their role in safeguarding families and maintaining balance on Country.
Stylistically, Jack often uses movement, tracks, and rhythmic dotting to trace the dogs’ journey. These elements represent the paths they travelled, the Country they shaped, and the spiritual presence they continue to hold.
Two Dog Dreaming is a story of loyalty, protection, and the enduring bond between ancestor, animal, and Country—making it a highly meaningful and collectable theme in Jack Macale’s body of work.
