Louise Numina
Louise Numina Napanangka is an Anmatyerre artist from the renowned Utopia region of Central Australia—an area internationally recognised for producing some of the most significant Aboriginal artists of our time. She is one of six sisters and three brothers, all of whom share a deep cultural connection to Country and a strong artistic lineage.
Louise is the daughter of respected artist Barbara Mbitjana and grew up surrounded by creativity and cultural knowledge. From a young age, she was immersed in painting, learning under the guidance of her celebrated aunties Gloria Petyarre and Kathleen Petyarre—both leading figures in the Aboriginal art movement.
Her early years were spent at Stirling Station near Tennant Creek, where she attended primary school before continuing her education at Yirara College in Alice Springs. Following her studies, Louise returned to her community, working within local development programs while continuing to paint and refine her artistic practice.
In 2000, the Numina family relocated to Darwin, where Louise continues to live and paint today. Alongside her sisters—also highly regarded artists—she shares important Dreamings and totems, including Bush Medicine Leaves, Bush Yam, Awelye (Ceremonial Body Paint), and the Thorny Devil Lizard. These themes form the foundation of her work, each painting carrying layers of cultural knowledge, women’s stories, and connection to land.
Louise’s paintings are admired for their intricate dot work, flowing compositions, and luminous colour palettes—each piece reflecting both ancestral tradition and a distinctly contemporary aesthetic.
In this work, Louise Numina depicts the Bush Medicine Plant, a vital source of traditional healing for Aboriginal communities across Central Australia.
For generations, Anmatyerre women have travelled across Country to collect the leaves of this plant, gathering them from specific locations known and passed down through family lines. Once collected, the leaves are carefully prepared—boiled to release their natural resins, then blended with kangaroo fat to create a rich medicinal paste. This preparation is both practical and ceremonial, grounded in deep cultural knowledge and respect for the land.
The resulting medicine is used to treat cuts, wounds, bites, and skin irritations, while also serving as a natural insect repellent. Its use continues today, reflecting an unbroken tradition of Indigenous healing practices that have sustained communities for thousands of years.
Through her distinctive dotting technique and layered composition, Louise captures the movement and abundance of the bush medicine leaves as they spread across the landscape. The rhythmic patterns evoke both the physical presence of the plant and the spiritual energy it carries.
This painting is not simply a depiction—it is an act of cultural continuation. By painting Bush Medicine, Louise honours the knowledge of her ancestors and reinforces the importance of preserving these practices for future generations. It is also a gesture of renewal—acknowledging the plant’s regenerative power and its ongoing role in healing both people and Country.
Louise Numina’s Bush Medicine Leaves is a celebration of knowledge, care, and connection—an artwork that carries both visual beauty and profound cultural meaning. It brings warmth, movement, and story into a space while honouring one of the world's oldest continuing healing traditions.
A powerful and meaningful addition for collectors seeking authenticity, story, and a timeless connection to Country.
